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A Reel Life film section

Sept, 1998

The Mask of Zorro (1998) movie review

Zorro - The Next Generation

In the American tradition, there are few noble warrior-heroes. Don Diego, the effete dandified nobleman who at night garbed himself as the daring protector of the people, is that rare combination of an American hero with class, style, and fighting skill.

In this reworking of the Zorro story, produced by Steven Spielberg, the new Zorro, trained by the master, is a peasant. Alejandro (Antonio Banderas) and his brother as children save Zorro (Antony Hopkins) from a trap, and for which they receive a medallion. Zorro returns home to his wife and child only to be captured by his nemesis, Montero (Stuart Wilson). In the melee his wife is killed and his daughter seized by his enemy.

Movie Poster, Mask of Zorro (1998);Festivale film review; 220x329

Movie poster, Mask of Zorro
When freedom is a memory and justice is outlawed, the just must become outlaws.

Twenty years later Zorro escapes from jail in time to witness Montero's return from Spain with the now-grown Elena (Catherine Zeta Jones), who has raised to believe that she is Montero's own daughter.

Anthony Hopkins as Zorro (Diego) in The Mask of Zorro; Festivale movie review;1080x534

Anthony Hopkins as Zorro (Diego) in The Mask of Zorro (1998)

By changing the hero from a nobleman to a common man, the filmmakers may be 'modernising' the hero, making him more politically correct, but it loses an important message that was behind both the Zorro and Robin Hood legends. Nobless Oblige: the nobility has obligations. Privilege brings with it responsibilities, a credo which the new nobility -- wealthy business people, political tycoons, and the Hollywood glitterati. Deleting that message takes away another group's responsibilities.

The Mask of Zorro gives the actors a chance to show some traditional skills -- not just acting, but also the physicality of wielding swords, and in the case of Banderas and Zeta Jones, dancing.

The music has a wonderful percussive Spanish flavour, the crowd scenes and locations demonstrate the scale that movies can have, something television and the stage can't approach. I wish, however, that Speilberg hadn't decided to 'modernise' Zorro by taking away his trademark moustaches, a clean shaven man just doesn't have the same panache.

The story is your standard hero-adventure, with humour that is broader at the beginning that the end, and a structure that carefully bookends the careers of two generations of Zorro.

Not a must-see film, but an interesting demonstration of applied movie making techniques.


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by Ali Kayn
Due for Australian release 1998
For credits and official site details, see below
Search Festivale for more work by the film-makers below.

See also: The Legend of Zorro
Anthony Hopkins also appears in Amistad, The Edge, Meet Joe Black, Titus, Instinct,
Catherine Zeta Jones also appears in Entrapment, High Fidelity, The Haunting
Antonio Banderas also appears in

Just the facts:

Title: The Mask of Zorro (1998)
Written by: Terry Rossio & Ted Elliott and John Eskow  
Directed by: Martin Campbell  
Produced by: Doug Claybourne; David Foster; Lucas Foster; Laurie MacDonald (executive); Walter F. Parkes (executive); Steven Spielberg (executive)
Edited by:  Thom Noble
Director of Photography: Phil Meheux

The Players: Antonio Banderas .... Alejandro Murietta/Zorro
Anthony Hopkins .... Don Diego de la Vega/Older Zorro
Stuart Wilson .... Raphael Montero
Catherine Zeta Jones .... Elena de la Vega

Official website: Official website
IMDb entry

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